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In the sixth, a couple of Nazi officials briefly choke down their guilt over past actions with tumblers of whiskey.

In the book, there is much mention of a horrific genocide in Africa. It's hard to escape the feeling that the bad guys have been somewhat sanitized.

At some point, it'll make you want to point out that even was in large part a novel of manners about San Franciscans struggling to be more Japanese; this was a clever inversion of the norm that made people think differently about race.

In the TV version, the most racist epithets come from the mouths of San Franciscans, who make the show's Nazis look tame.

Traditionally, Mac Guffins don't have any value to the viewer — think of the maltese falcon, or the stolen data tapes in more important to us than to the protagonists.

They're newsreels of footage from our world, the one in which the Allies won the war; the newsreels are marked with a bible quote, "The Grasshopper Lies Heavy." When we see them, all we see are choppy images — G. We know what these images mean without any narrative. "The Grasshopper Lies Heavy" was in Dick's version, too — it was an alternate history book within an alternate history book that imagined the Allies winning the war.

Protagonists get angry and push each other a lot, and turn away from each others' affections — Frank Frink especially.

, which debuts on the company's streaming service Friday.

I'm a huge fan of alternate histories like the Philip K. The Hugo Award-winning 1962 novel depicted a broken America, 15 years after its At the same time, I'm not one of those people who insist that a screen adaptation must be a faithful replica of the book.

Too many protagonists make too many baffling decisions.

Too many important events are mysteriously forgotten after a single episode.

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